Spoiler Warning
In my journey, the most profound joy has come from discovering oneself mirrored in another. The Twin Flame connection, in particular, offers unparalleled latitude and depth for this self-discovery. It is through the reflection of our truest selves in our counterparts that we not only find our identity but also unravel the answers to our most profound existential questions.
Regrettably, it is within this connection that we confront our most agonizing pain, not stemming from witnessing their affection for another, but from navigating through the metaphorical darkness they unexpectedly cast us into. The anguish arises from the "what" and "why" left unanswered, caused by their silences, denials, absences, avoidance, and contradictions. This pain is so profound that, in an attempt to cease it, we often disconnect from a part of ourselves, sacrificing it to maintain functionality. Amidst this turmoil, we question the authenticity of the love we shared, pondering if its loss was justified because we never deserved it. The struggle to rediscover our completeness, this time not through them but through a profound exploration of our soul, is undeniably real. However, this journey is imperative, for it is the sole path to healing.
Keeping these reflections in mind, I unexpectedly stumbled upon the movie "Hancock," starring Will Smith as John Hancock and Charlize Theron as Mary Embrey. Initially uninterested, assuming it to be a typical action film about a flawed superhero on a journey to self-improvement, my perspective changed during a pivotal scene between the main characters and Ray, Mary's husband, played by Jason Bateman. In this scene, Mary attempts to explain her connection with Hancock to her husband.
Mary: "Whatever we are, we were built in twos, okay? We are drawn to each other. No matter how far I run, he's always there; he finds me. It's physics."
Ray: "Are you suggesting that you two are fated to be together?"
Mary: "I've lived a very long time, Ray, and one thing I've learned is: that fate doesn't decide everything. People get to choose."
Hancock (disbelievingly to Mary): "And you chose to let me think I was here alone?"
Mary: "I didn't think you'd remember."
Ray: "Great. So now what?"
Mary (upset): "I didn't plan for this.
Intrigued, I switched to channel +1 and commenced watching the film from the start. Contrary to the Hancock movie trailer's omission, the significant plot twist revolves around the mystical and divine connection between the two main characters, transforming the narrative into a drama exploring themes of fate, love, sacrifice, and twin flames. Hancock portrayed as an immortal "superhero" grappling with identity loss due to alcohol and amnesia, emerges as a story not just about physical struggles but, more profoundly, an internal quest for self-discovery and purpose.
What captivated me was the film's emphasis on Hancock's journey rather than solely focusing on the "twin flame" element. As the story unfolds, Hancock saves Ray from a perilous situation, leading to an invitation to dinner at Ray's home. It is here that Hancock encounters Ray's wife, Mary, and their son, Aaron. Despite Ray's optimism, Mary harbors a palpable aversion to Hancock, cautioning her husband against involvement with him. Ray, undeterred, endeavors to rehabilitate Hancock's public image, initiating a journey of redemption that Hancock initially rejects but later embraces.
The underlying theme of truth surfaces early in Hancock's consciousness, manifesting as an unidentifiable connection with Mary, whether rooted in sexual chemistry or something more profound. When they are together, an inexplicable intensity permeates the air. Seeking answers to his deepest questions, Hancock is drawn to Mary, sensing that comprehending their connection holds the key to self-understanding. Unbeknownst to Hancock and withheld by Mary, they are twin flames. Despite settling into a conventional life as Ray's wife and Aaron's mother, Mary yearns to extricate Hancock from her family's existence while grappling with an undeniable attraction to him.
As Hancock uncovers Mary's superhuman abilities and the existence of others like him, he demands explanations. Adopting the typical stance of a twin flame "runner," Mary initially deflects the topic, extolling Ray's virtues and expressing contentment. Eventually, she becomes defensive and protective, cautioning Hancock to stay away. Her apparent coldness stems from the realization that embracing this connection would entail the complete upheaval of the life she deliberately chose, a life she is determined to preserve.
Like Mary, many twin flames instinctively recognize their counterpart upon first meeting, whether or not they explicitly label the connection. Even if they don't immediately acknowledge it, there exists a subconscious awareness that they are destined to be with this person, regardless of the timeline they envision. Frequently caught off guard by the sudden arrival of their twin flame, they grapple with being unprepared and uncertain about how to navigate the undeniable calling and magnetic attraction, yet deep down, they understand that yielding to it is an inevitable aspect of their identity.
The unique characteristic of this connection is its all-encompassing nature; choosing to ignore it often leads to neglecting a part of oneself, echoing Mary's experience of concealing her superpowers and immortality after renouncing her destiny for a "normal" life. This resonates strongly with me because twin flame separation commonly involves denial and secrecy in various forms. I find moments in my journey akin to John Hancock, deciphering the intricacies while contemplating the possibility that my twin flame might be akin to Mary, having recognized our connection from the outset.
In the film, Hancock confronts Mary in a battle to unveil his true identity. The more Hancock seeks answers, the more Mary resists, determined to preserve her ostensibly "happy life" and concurrently committed to living apart from him so he can continue his superhero pursuits. Concealing the true nature of their connection, she fabricates a story of being "brother and sister," prompting Hancock to threaten to reveal the truth to Ray. Fearful of jeopardizing her marriage, Mary endeavors to halt him, resulting in an intense argument reminiscent of true twin flame dynamics. The film adeptly portrays the heightened intensity of their disagreement, mirroring the exaggerated nature often witnessed in such connections. Exhausted from their clash, Mary eventually discloses the truth to both Hancock and her husband.
Mary reveals to Hancock that they are divine, angelic beings paired and drawn together across millennia. Tragically, when these eternal lovers succumb to their fated attraction, their powers diminish, rendering them mortal and vulnerable to the challenges of aging, injury, and death. Mary and Hancock had endured together for over three thousand years, surviving numerous lifetimes until an incident 80 years prior, when they were assaulted in Miami after choosing to live human lives together. Unable to recognize her, and grappling with the moral quandary of their callings, Mary leaves Hancock in the hospital, anticipating his recovery and the continuation of his mission in her absence. Despite her internal conflict, she opts for separation for the greater good, seeking to protect Hancock, who she knows will regain strength without her. In a sense, she aims to evade her destiny by rejecting her powers.
While Mary eventually finds a less destructive form of love with Ray and embraces a "normal" human existence, Hancock becomes adrift. Unaware of his identity and yearning for full recognition, he wanders, grappling with an inexplicable connection he cannot articulate. Drowning his existential despair in alcohol, he continues rescuing lives, often with disastrous outcomes. It takes eighty years, on the other side of the country, for him to reunite with Mary, albeit without recognizing her due to his amnesia.
Lesson One:
The film unfolds the backstory of Hancock and Mary deliberately disregarding their celestial calling as angelic beings assigned to aid humankind. They succumb to the allure of a shared human existence, a choice that not only erases Hancock's true identity but also exposes him to the vulnerability of mortality. His amnesia, therefore, is not incidental; it directly stems from rejecting his calling. Hancock loses himself by attempting to be something he is not—an immortal attempting to live as a human. The primary lesson here is that accepting our divinely given identity and mission is the key to understanding the Self, paving the way for genuinely purposeful and joyful lives. Like Hancock, everyone faces the choice to embrace or reject their true calling, and both choices bear consequences.
In my perspective, prioritizing the call to authenticity and realizing our purpose is paramount. Hancock discovers the truth about himself and his connection with Mary only after wholeheartedly surrendering to his mission with grace. As long as we stay true to ourselves, whether or not a twin flame is present, we discover the fulfillment we seek. By persistently pursuing our true identity, we fulfill our purpose, whereas rejecting our authentic selves leads to aimless living or even a detrimental outcome.
Lesson Two:
Another poignant lesson from the film centers around the idea that, at times, we may need to temporarily sacrifice our heart's desire for the greater good. While the deep yearning for our counterpart remains inherent, the film suggests that living a human existence with our twin flame might not be the intended path. Instead, eternity may be reserved for the profound love of a sacred soul union. Could it be that, to fulfill our mission on Earth, we must temporarily set aside our desire to be with our twin flame? Is our value to the world greater when we focus on healing and contributing to the world apart from our twin flame? The film proposes that it is only through sacrificing their desire to be together that Mary and Hancock can effectively complete the mission they are meant for.
I resonate with the idea that loving our twin flame doesn't always necessitate immediate physical union. We can love them entirely and still choose to be apart, allowing them the space to live their life. Regardless, the love persists, serving as a source of reassurance and comfort, anchoring us more deeply in the human experience and empowering us in our mission.
While the film doesn't conclude with the typical storybook reunion often associated with twin flames, I find its ending realistic and positive. Hancock, secure in his self-awareness, dedicates himself to his mission, content to keep a distance from Mary until the opportune moment for their reunion. This resonates with me as a reminder that the twin flame journey is ultimately about self-discovery, growth, and service. Instead of fixating on a reunion, which is inevitable in its own time, perhaps many of us could benefit from following Hancock's example and using the connection to propel ourselves deeper into our life's mission.
Lesson Three:
This brings us to the final and most crucial lesson: union with our counterparts is a conscious choice. Echoing Mary's words, individuals have the power to choose. Mary and Hancock are not confined by earthly circumstances or divine callings; for them (and perhaps for us), there is no absolute right or wrong—only choices. According to the film's backstory, other angelic beings had already paired up and returned to the source, indicating that Mary and Hancock could do the same whenever they are ready to leave their human existence, either because their work is complete, both choose it, or they are called home.
This notion prompts deep reflection—to view the union as the ultimate step before ascension, a consequence of surrendering free will in favor of fate. To achieve this, one must release all resistance, egoistic needs, and the pursuit of immediate gains, turning their focus toward a higher purpose. Surrendering to the connection allows the counterparts to naturally come together—amnesia or not, as Mary notes, it's physics!
While the film doesn't explicitly depict what happens once the twins heed the call to pair up and go home, it implies that they experience sacred union in human form before the final step of "death." This death involves the annihilation of the ego, stepping off the wheel of reincarnation, transcending Earth's "test bed," and transitioning beyond the physical form and dimension. The film offers reassurance beyond the temporary circumstances of the characters, suggesting that by undergoing this process, twin flames achieve eternal life, true sacred union, and divine pleasure. The film implies that dying here is a prerequisite for rising elsewhere—an anticipation that twin flames who heed the call can look forward to, sooner or later.
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